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Interview
with Yoshimitsu Yamada, 8th Dan
by Francisco Manchon, 3rd Dan and Michelle Feilen. 3rd Dan -
Asociacion Cultural Feilen Aikido Dojo Central, Barcelona, Spain
Translated from Spanish by Sharon Silberstein, 1st Dan and Javier
Dominguez, 1st Dan, New York Aikikai
Editor's Note: This interview, conducted by the instructors at the
annual seminar in Barcelona, was originally published in the May 2000
issue of Budo International/Cinturon Negro. We are happy to make an
English translation available, and thank Francisco and Michelle for
allowing us to present in on Aikido Online. Photos courtesy of Y. Yamada
and Peter Bernath, Florida Aikikai.
Sensei, what led you to start practicing Aikido?
My uncle, Tadashi Abe was O-Sensei's uchi-deshi (live-in student), and,
since childhood, I knew about Aikido. I couldn't wait to be able to
start practicing. When the moment came, I started and that's that. Because
of the family ties of my uncle with O-Sensei's family, I was accepted
as uchi-deshi. My situation was not typical. My first day of Aikido
was also my first day as uchi-deshi.
Do you remember the first time that you saw
O-Sensei? Could you
tell us about that moment?
It was at a non-public demonstration at his house for an intimate circle
of people. I was invited, thanks to my uncle's connection to O-Sensei's
family. Like every other person there, I felt so thrilled and moved
that I practically don't remember anything else.
What is the most important teaching that you learned from O-Sensei?
Obviously, aside from technique, I learned to be a good person, to be
generous and kind with the students.
Do you think that the current Aikido of today differs much from
the Aikido that you were practicing with O-Sensei?
Yes, definitely. If O-Sensei could see Aikido today, he would be very
surprised. There exists in the within the world of Aikido, many different
individual characters, therefore, many different styles. This is inevitable,
given the very creative nature of Aikido. The most important thing is
to define oneself by one style. The whole world is free to follow what
they like, to choose what is good for him or her self. There are many
forms of Aikido. Nobody can say which style is correct or not.
It's like translating a great work of art. One can always express the
different nuances, based on each person's interpretations. There are
many interpreters of O-Sensei and evidently the only way to know O-Sensei
and his work is through his interpreters.
Which personalities in Aikido have most influenced your personal
development on a technical level as well as spiritual?
Well, personally I do not like to copy anyone. I have tried to take
pieces from everybody and integrate them into my body and digest it
like a good meal. Many people think that my style is very orthodox with
circular and dynamic movements following the style of Kisshomaru Ueshiba.
That's what people think.
How would you define your technique?
Dynamic and elegant. Well, at least I hope so.
What does Aikikai Hombu Dojo represent in our times?
Basically for us, Aikikai Hombu Dojo should be a spiritual symbol. I
am sorry to say that this kind of relationship does not exist between
the Aikikai Hombu Dojo and the Aikidoists. Today, it is more a business
relationship (degrees, certificates, etc.) I feel that the spiritual
link is getting lost. Even though, there are still people who feel this
relationship, but there are many people who don't care about it. In
the future, this could represent a problem, especially when the unifying
links or interpreters of O-Sensei, won't be around any longer.
What do you think about the proliferation of Federations and
Associations around the world following different Shihan? How could
this situation affect the unity and development of Aikido in the future?
The ideal situation would be a Federation that unifies everything, but
that is absolutely impossible. It is like Aikido styles. It is now that
we clearly realize that it is impossible and it is now that we have
to think how to face this situation. We all know that we cannot unify,
however some entities are still trying, such as, for example, the International
Aikido Federation (IAF). Everybody should have the right to be a member
of the IAF.
In your organization, the Aikikai certifies all degrees issued
by you. In Europe, there are National Degrees, issued by the Federations,
Associations and those of the Aikikai. What is your opinion regarding
this separation of degrees?
I understand that each country has its own administrations (different
Ministries, etc.) Some countries have no other option, but I think that
regarding the Dan ranks, they should come from the original source,
because they have a spiritual significance. To do so, Aikikai Hombu
Dojo should understand these different realities, adjust, and be flexible.
This is because each country faces different administrative and financial
situations. Personally, I think that if Aikikai Hombu Dojo does nothing
regarding this problem, any country or the same Shihan will issue the
certificates. This will happen if Aikikai Hombu Dojo doesn't offer any
solution.
Fortunately, your visits to Europe and especially Spain, are
more and more frequent. How is Aikido evolving in Europe and especially
in our country?
Europe, as a continent, has a very long Aikido history, but at the same
time very confusing. There are many Shihan and professors. Obviously,
there are many thoughts, styles and philosophies. Nowadays, there is
more information, traveling is easier, and people have the opportunity
to see more Shihan, allowing them to access different Aikido lines around
the world. People have more opportunities to see what it's happening
in Aikido. For example, in my country (U.S.A.), Aikido students not
only see me and the other Shihan living in America, they also have the
opportunity to see Tamura Shihan (Europe) or to meet students who travel
from Europe to America.
I acknowledge that I don't know that much about the situation in Spain,
but every time I come here I enjoy teaching very much. I feel that people
here are very interested in learning Aikido.
After what we have seen around the world, your seminars are
characterized by the presence of students from other countries. What
do you feel when students from far away travel to learn under your guidance?
Naturally, this makes me very happy. To me, this means that I have to
do a good job. It's not only good for me, it's also good for my Dojo
and my students that people from all over the world come not only to
my seminars but also to my Dojo. It creates friendships.
How do you see the technical and spiritual evolution of the
high-ranking people throughout your seminars around the world? Would
you like to give them any advice?
All of them are following the right path, although they should, once
in a while, come back to the source and be more humble.
Through the passage of time (36 years), the New York Aikikai
has become a pilgrimage site for a large number of Aikidoists from around
the world that go to your Dojo to deepen their Aikido training. What
kind of spirit do you want to instill to all those practitioners?
As I said before, it gives me great pleasure when I see people from
so many different countries come to New York Aikikai. I don't think
that they only come to see me, but also come to meet my students, for
which I am very proud. My dojo has a special atmosphere, I don't know
how to describe it, nor do I know how I created it. However, my motto
is to make my dojo a place where one can practice sincerely and, at
the same time have fun. In this way, they create lasting friendship
ties. It is good to be able to love and at the same time feel loved.
Perhaps that is the atmosphere that we were talking about
What objectives would you want to achieve in Aikido?
Objectives? Hmmm.. I hope one day I can throw people without touching
them (laughs.)
Define with one word and in three seconds the following personalities
within the Aikido world.
K. Ueshiba: a gentleman
K. Tohei Sensei: charismatic
O. Osawa Sensei: understanding
N. Tamura Sensei: a hard worker
M. Kanai Sensei: a samurai
K. Chiba Sensei: passionate
Y. Yamada Sensei: flexible
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